Breach at Freefall 2011, Oxford Art Factory, Sydney. Photo Kat Sapera

Breach – Freefall 2011 Oxford Art Factory, Sydney. Photo Kat Sapera

Julie Vulcan is an independent Sydney based artist working across multiple forms.  Creative outcomes include objects, performance & installation, text & digital media, and durational & site-responsive work. Alongside her solo practice Julie is a facilitator, collaborator and mentor.


Deep research processes underpin much of her work developed through intensive residencies, participatory laboratories and interdisciplinary exchange. Current projects are embedded in dark ecologies, relational practices, and speculative fictions as tools for reimagining humans in consort with human and more than human worlds for ongoing survival. The greater part of this work sits under the banner project WishingDARK. The suite of works I Stand In, Drift, Bloodstock, and RIMA created between 2011 and 2018 were experiments in the ways socially constructed borders might be recognised and dismantled through matters of care. An interest in the veracity of mediated memory, constructed histories and the motivations behind how we remember, record and re-write our actions, bodies and traces – past, present and future underline the Redress series, Un/disclosed, and the Power of Constraint trilogy (Trawl – Harbour – Wend). In an attempt to process the macro, Julie manifests micro environments in which she can explore leading questions, encouraging her audience to do the same. Some of her work, subsequently, situates itself in the very personal, soliciting contributions and/or participation from the general public.


Julie equally creates alter-egos and one-off performances that engage subversive or wicked humour. Her highly stylised and visual aesthetic appears in urban and regional sites, theatres, galleries, windows, events, clubs, online and sometimes unexpected places.



#afterthefire #daybyday

A personal response to living on and with fire-effected land and the journey of loss, care and regeneration following the Australian summer bushfires of 2019/2020


Nurturing a DARK ecology



Julie Vulcan has toured her work nationally and internationally both solo and as part of performance collectives. Recent work and tours include Bloodstock Metro Arts Gallery Brisbane AUS 2018, DARKlight_I:utterings Metro Arts Brisbane AUS 2017, DARKbody Wired Open Day Muttama NSW 2017, I Stand In Taking Place MAI Montréal CANADA 2017, Deathfest Metro Arts Brisbane AUS 2016, Venice International Performance Art Week ITALY 2014, Performatorium Regina CANADA 2014 and SPILL festival of Performance London UK 2013; Drift at Festival of Live Art Melbourne and Metro Arts Brisbane AUS 2014; Redress – Rapid Pulse Festival Chicago USA 2014. Julie is one half of the exploratory lab SQUIDSILO, a duo working across physical and virtual platforms. RIMA, their most complex work to date, was presented at Arts House Melbourne 2016, End(s) of Electronic Literature Festival Bergen NORWAY 2015 and the Lock-Up Newcastle AUS 2015. In 2014 Julie founded base-metal – a platform for performance/live art exchange, dialogue and presentation. From 2010 – 2014, Julie was the Associate Director and subsequent Artistic Director/CEO at PACT centre for emerging artists, Sydney. She directed the PACT Ensemble production Harvest 2013 and co-directed with Cat Jones Beguiled 2011 and Unsettlings 2010.

A UNSW College of Fine Arts graduate, her early video installations (1988 – 92) investigated time, gender, memory and place. These were presented in Sydney, Melbourne and Perth by the 4th and 7th Australian International Video Festival, ARX 3, Experimenta and the Performance Space Sydney amongst others. This work is currently archived at www.scanlines.net – Video Art in Australia since the 1960’s. Julie’s video installation work informed her transition into the live and performance. She has been a core member of several performance and live art collectives, including Unreasonable Adults, Frumpus and Icarus. In addition Julie has performed in Black Market with PVI Collective 2015, Finale 2007/8 with Pacitti Company UK, the Sydney Festival commission Balconies by ERTH AUS 2003 and in the video art works A/PROXY[MATE] ENCOUNTERS 2006 by Anna Davis and Dreamshelving 2011 by Sam James. She has contributed to the works of many artists including Jason Sweeney, WeiZen Ho, PVI Collective, Barbara Campbell, Deborah Pollard, Hancock & Kelly live, Leisa Shelton, Cat Jones and Panther. Julie has contributed reviews to Realtime Arts Australia and her essays and writing have appeared in a number of publications.